Pelagia Karpathiotaki visited last month the Terracotta Army in Qin Shi Huang. The President explain us some features:

The Terracotta Army or the “Terra Cotta Warriors and Horses”, is a collection of terracotta sculptures depicting the armies of Qin Shi Huang, the first Emperor of China.

The figures vary in height, according to their roles, with the tallest being the generals. The figures include warriors, chariots, horses, officials, acrobats, strongmen and musicians. Current estimates are that in the three pits containing the Terracotta Army there were over 8,000 soldiers, 130 chariots with 520 horses and 150 cavalry horses, the majority of which are still buried in the pits.

The Terracotta Army was discovered in the spring of 1974 in the eastern suburbs of Xi’an, Shaanxi Province by a group of farmers who were digging a water well 1.5 miles (2.4 km) east of Mount Li (Lishan).

According to historian Sima Qian (145-90 BC), construction of this mausoleum began in 246 BC and involved 700,000 workers. Geographer Li Daoyuan, six centuries after the death of the First Emperor, explained that Mount Li had been chosen as a site for its auspicious geology: it once had a gold mine on its north face and a jade mine on its south face, demonstrating not only its sacred value, but also perhaps how the tunnels had come to be dug in the first place.

Qin Shi Huang was 13 when construction began. He specifically stated that no two soldiers were to be made alike, which is most likely why he had construction started at that young age. Sima Qian, in his most famous work, Shiji, completed a century after the mausoleum completion, wrote that the First Emperor was buried with palaces, scenic towers, officials, valuable utensils and “wonderful objects,” with 100 rivers fashioned in mercury and above this heavenly bodies below which he wrote were “the features of the earth.” Some translations of this passage refer to “models” or “imitations,” but he does not use those words.

Recent scientific work at the site has shown high levels of mercury in the soil on and around Mount Li, appearing to add credence to Sima Qian’s writings. The tomb of Shi Huangdi is under an earthen pyramid 76 meters tall and nearly 350 square meters. The tomb remains unopened, in the hope that it will remain intact. Archaeologists are afraid that if they do excavate the tomb, they might damage some of the valuables buried with emperor Qin Shi Huangdi. Only a portion of the site is presently excavated, and photos and video recordings are prohibited in some areas of the viewing. Only few foreigners, such as Queen Elizabeth II, have been permitted to walk through the pits, side by side to the army.

The terracotta army figures were manufactured in workshops by government laborers and by local craftsmen. The head, arms, legs and torsos were created separately and then assembled. Studies show that eight face moulds were most likely used, and then clay was added to provide individual facial features. Once assembled, intricate features such as facial expressions were added. It is believed that their legs were made in much the same way that terracotta drainage pipes were manufactured at the time. This would make it an assembly line production, with specific parts manufactured and assembled after being fired, as opposed to crafting one solid piece and subsequently firing it. In those times of tight imperial control, each workshop was required to inscribe its name on items produced to ensure quality control. This has aided modern historians in verifying that workshops that once made tiles and other mundane items were commandeered to work on the terracotta army. Upon completion, the terracotta figures were placed in the pits in precise military formation according to rank and duty.

The terracotta figures are life-sized. They vary in height, uniform and hairstyle in accordance with rank. The coloured lacquer finish, individual facial features, and actual weapons and armor from battle used in manufacturing these figures created a realistic appearance. The original weapons were stolen by robbers shortly after the creation of the army and the colouring has faded greatly. However, their existence serves as a testament to the amount of labor and skill involved in their construction. It also reveals the power the First Emperor possessed, enabling him to command such a monumental undertaking.